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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He subsequently founded the pioneering techno group The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a period of ill-health.

"I ended up damage myself significantly," he commented in a recent interview. "I broke lower vertebrae in my back and cracked about five ribs and broke my wrist."

Following contracting a lung infection and suffering from sepsis, he was put in an medically-induced sleep and remained in hospital for half a year.

However, he had been in "high spirits mentally" over the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and very pleased with the latest project that we actually finished only a few days ago," stated the vocalist in a tribute.
"It's so sad as next year was all set to be such an uplifting year for him, and I take some solace from the fact that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is different from joining a group, the bond is incredibly close," he continued.
"That's how it was with us. We went through so many remarkable, incredible, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Early Life

Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He grew up in the seaside town with his new family Donald and Brenda Ball, who changed his first name from Paul to his adopted name, alongside his younger sister his sister, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a shared love of a music genre, they formed Soft Cell the very year, and quickly produced an extended play.

Musical Partnership

The pair were an unusual combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a interest with electronic instruments after viewing the band Kraftwerk appear on BBC program Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was writing.

Tainted Love became the United Kingdom's second most popular single of 1981, shifting millions of units worldwide. Alongside successful tracks by other artists, contemporary bands and electronic acts, it contributed to cleared the way for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, their initial LP, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were developing new material until just before Ball's death

Career Highlights

Success had its upsides. "I loved being able to purchase my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also presented problems. "Newfound wealth allowed we could purchase newfound drugs to relieve the boredom" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

During the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to produce a second memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond proceeded to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting album Cruelty Without Beauty.

Following a further hiatus, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, 2018.

Yet, they stayed active, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the duo's upcoming release as a tribute to the NYC nightlife they frequented while recording their initial records.

He noted that his time in medical care had shaped the group's music.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The last versions were completed only a short time before Ball passed away. It is scheduled for release in Spring 2026.

WW
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